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Brenda Carre

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Pulp Literature No. 31

Pulp Literature No. 31

Pulp Literature [#31 Summer 2021] mng. ed. Jennifer Landels (Pulp Literature Press, $14.99 Print, $4.99 Kindle, 224pp, digest, cover by Tarjana Mirkov-Popovicki)
7 • From the Pulp Lit Pulpit • Genevieve Wynand • ed
11 • Birdie • Brenda Carre • ss
26 • Feature Interview: Brenda Carre • iv
31 • The Extra: Frankie Ray Makes Murder’s Final Cut • Mel Anastasiou • ss
75 • Prometheus • Akpa Arinzechukwu • pm
79 • A Kinder Home • Hajera Khaja • ss
99 • Armageddon by Tarantino • Graham Robert Scott •
107 • The Search • Colleen Anderson • ss
121 • Behind the Sumacs • Samuel Strathman • pm
125 • It Was a Chupi After All • Elsa M. Carruthers • ss
137 • Maslow Meets the Mayfly Moon • Janet Smith • ss
149 • The Bumblebee Fiction Contest • Alan Sincic • in
157 • Houses • Matthew Nielsen • ss
175 • Allaigna’s Song: Oburakor • J.M. Landels • sl

Pulp Literature website

Contents formatted for inclusion in Phil Stephensen-Payne’s Galatic Central reference website.
FictionMags Index Family Item Types & Other Abbreviations key.

Mel Anastasiou’s The Highwayman’s Deception

Pulp Literature No. 15 Summer 2017

Stories from Pulp Literature No. 15 Summer 2017:

Much of “The Seven Swans, Book Four: The Highwayman’s Deception” by Mel Anastasiou is a self-contained adventure/romance set in olde England. Three chapters frame the tale of Spencer Stevens’ past life, while eight immerse the reader in his captivating adventure there as he courts the life of the highwayman and his teacher, the provocative Charlotte. Anastasiou is the acquisitions editor for Pulp Literature, and her stories appear regularly in the magazine.

Brenda Carre’s Gret

Pulp Literature No. 15 Summer 2017Stories from Pulp Literature No. 15 Summer 2017:

“Gret” by Brenda Carre sets the issue’s opening bar high. It’s the first chapter of a forthcoming novel of the same name, so beautifully written it overshadows any hesitation of reading an excerpt, so don’t miss out. Gret’s world is harsh and dangerous, filled with magic and intrigue. Carre’s skill with dialect in narration and dialogue transports you to Gret’s world at once. “I grabbed Isk’s meat knife and a bannock or two for my tattered pockets and I was out that windee and into the shore mist faster than a clam can fart.” A three-page interview with Carre follows her novel’s chapter.