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Milton Lesser

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Blonde Bait by Stephen MarloweBlack Gat 47

Chuck Odlum has less excuse than many of his ilk for falling head-over-heels into the irresistible pull of the black hole that is noir. He married money, Inez Cameron, owner of the flourishing Whiteface Hotel/ski resort in New York state; valued at a cool million in 1959-dollars. An era when big, strong men like Chuck can’t embrace the sting of a woman calling the shots and claiming the breadwinner crown. Not that Inez is a bitch about it. She’s a benevolent magnate—beautiful, and gives Chuck the run of the mountain and his choice of plum jobs. In this case, ski instructor; a job Chuck loves.

Sound good? Well, in Chuck’s view it was all right until Bunny Kemp—blonde bait of the first degree—dawned on his doldrums and wiggled her way into his bruised primal brain. Bunny’s hubby, Orin Kemp, drove a cab for a living, and one day happened on a rich couple who hired him for a whole night’s shift. As they drank their way across town they let slip more than a tanked couple ought, and Orin wound up with a suitcase full of ransom money—purportedly in small, unmarked bills.

Unfortunately, Orin is making a history of abuse with Bunny. He still loves her big time, but the feeling ain’t mutual no more. So when Bunny and Chuck lock their steely blue googly eyes, their animal instincts overwhelm reason, and willpowers wither. One guilty measure leads to another and in a few short chapters, the two partner in crime as co-conspirators and murderers, one step ahead of Joe Law and cosmic karma.

There’s little doubt where things are headed, but here the journey really is the destination. It’s a bumpy joy ride up and down noir alley, littered with vibrant characters, lousy prospects, dumb luck, and spiraling terminus. A top-drawer noir revival courtesy Stark House and Black Gat Books.

Rocket Stories July 1953

Rocket Stories Vol. 1 No. 2 July 1953

Contents
Wade Kaempfert: An Editorial on The Glory Road
Algis Budrys “Blood on My Jets” art by Alex Ebel
George O. Smith “Home is the Spaceman” art by Kelly Freas
Milton Lesser “Picnic” art by Joseph Eberle
Poul Anderson “The Temple of Earth” art by Paul Orban
Wade Kaempfert: Route to the Planets
Ben Smith “Sequel” art by Milton Berwin
Charles E. Fritch “Breathes There a Man” art by H.R. Smith
Irving Cox, Jr. “To the Sons of Tomorrow” art by Tom Beecham
William Scarff “Firegod”

Editor: Wade Kaempfert (Lester del Rey)
Assoc. Editor: John Vincent, E. Lynn
Art Director: Milton Berwin
Cover: Alex Schomberg
160 pages, 35¢

Read Vince Nowell, Sr.’s article “When Things Go Wrong—The Lester del Rey/John Raymond Fiasco” in The Digest Enthusiast book seven.

Story splashpageThe final story in Marvel Science Stories, May 1951:

In “The Circle,” Milton Lesser explores immortality through a husband and wife who, after traveling from one end of the universe to the other, settle on Earth. An Earth with no other humans and with the couple’s immortality contingent on their abstinence from procreation. A well-crafted story built on too many illogical contingencies.

Milton Lesser (1928–2008) wrote science fiction under his given name and his detective stories, including the Chester Drum series, under the pseudonym Stephen Marlowe.