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Sharon Tate

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Fate Vol. 23 No. 5 (No. 242) May 1970Excerpt from Tom Brinkmann’s article, “Sharon Tate’s Fate,” from The Digest Enthusiast book six:

Fate’s May 1970 issue ran one of the earlier post-murder “weirdness” articles titled, “Sharon Tate’s Tragic Preview of Murder!” by Dick Kleiner. The article related the tale of Tate’s run-in with the ghost of Hollywood producer Paul Bern.

Tom Brinkmann writes about unusual, off-the-beaten-path magazines, digests, and tabloids. His Bad Mags website was active from June 2004–July 2017. His books, Bad Mags Volume 1 (2008) and Volume 2 (2009) are available from secondary outlets, including amazon.com

Pageant Dec. 1969Excerpt from Tom Brinkmann’s article, “Sharon Tate’s Fate,” from The Digest Enthusiast book six:

The confusing cover blurb read, “Part 2–Behind Sharon Tate’s Tragedy! Stars Who Need Sex Clubs,” which made it sound like two articles, which in a way it kind of was.

. . . Last month the author described the orgies that led up to the horrifying slaying of Sharon and four others. This month he tells of his personal involvement with Sharon and her circle of friends and acquaintances. Also, he gives his reasons for blaming Hollywood itself in large part for the tragedy that took five lives.

Pageant Dec. 1969 back coverThis second and final part of the Pageant Tate feature focused on Jay Sebring, and is almost a mini-bio, with facts and figures, personal anecdotes by Hyams; and, it would be re-used as the Sebring/Tate chapter for his autobiography, which had the same story told slightly differently with some of the details left out and others added.

Tom Brinkmann writes about unusual, off-the-beaten-path magazines, digests, and tabloids. His Bad Mags website was active from June 2004–July 2017. His books, Bad Mags Volume 1 (2008) and Volume 2 (2009) are available from secondary outlets, including amazon.com

Pageant Nov. 1969Excerpt from Tom Brinkmann’s article, “Sharon Tate’s Fate,” from The Digest Enthusiast book six:

“Pageant premiered with its November 1944 issue and was originally published by Hillman Periodicals. Macfadden bought it in 1961 and continued publishing it until its final February 1977 issue.

“The misleading cover blurb on this November 1969 Pageant read, ‘Eyewitness Report: Sex • Sadism • Celebrities! The Sharon Tate Orgies.'”

Tom Brinkmann writes about unusual, off-the-beaten-path magazines, digests, and tabloids. His Bad Mags website was active from June 2004–July 2017. His books, Bad Mags Volume 1 (2008) and Volume 2 (2009) are available from secondary outlets, including amazon.com

Real August 1969Excerpt from Tom Brinkmann’s article, “Sharon Tate’s Fate,” from The Digest Enthusiast book six:

Real, the digest, was published bi-monthly and edited by David Zentner (1917–2002) with Peter Wolff as associate editor and was a sold-at-the-checkout-counter type magazine aimed at a mainly female readership. Zentner was born in Shanghai and went to school in the UK; he was the publisher of fifties girlie magazines such as Bare, Keyhole, Topper, and Escapade; he was also the head of Bee-Line Books, an adult paperback imprint that published Real as well. In the seventies, Zentner published Velvet and its sister magazine Velvet Talks, as well as the adult digests Velvet Touch, Velvet’s Vibrations, and Velvet’s Sensuous Letters.

Tom Brinkmann writes about unusual, off-the-beaten-path magazines, digests, and tabloids. His Bad Mags website was active from June 2004–July 2017. His books, Bad Mags Volume 1 (2008) and Volume 2 (2009) are available from secondary outlets, including amazon.

Witchcraft News ad
Advertisement for Sharon Tate’s first film, Eye of the Devil, from Witchcraft News

Excerpt from Tom Brinkmann’s article, “Sharon Tate’s Fate,” from The Digest Enthusiast book six:

“There was a lot of weirdness concerning Tate’s first movie, 13, aka Eye of the Devil, which starred David Niven, Deborah Kerr, Donald Pleasence, David Hemmings, and introduced Sharon Tate. ‘Look at her long enough and she may be the last thing you ever see!’ claimed an early version of the print ad.”