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October 2019

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Cauliflower Catnip: Pearls of Peril

Excerpt from my tribute, “The Creative Works of Joe Wehrle, Jr.” from The Digest Enthusiast No. 8, June 2018:

I first became aware of Joe’s work in 1981 when he published the Big Little Book, Cauliflower Catnip: Pearls of Peril, advertised in Alan Light’s The Buyer’s Guide. The book remains one of the most impressive self-published productions I’ve ever seen. I asked Joe about the project’s evolution.

“I guess Cauliflower Catnip is kind of an amalgam of many influences.” The anthropomorphic dogs of Thomas Aloysius Dorgan (TAD) comic strips, the hardboiled detective fiction of Nero Wolfe, and the sound of Thomas “Fats” Waller’s voice.

“I began to explore who Cauliflower Catnip was in a series of one-panel cartoons. I’ve long suspected that I’m too slow to do a regular daily strip unless I get an assistant or the concept is extremely simple. I enjoyed turning out the panels, but I could see they’d go nowhere. Besides, I wanted a detective story continuity with Cauliflower. How could I progress the suspense by drawing single panels? Had anyone ever done something like that? Of course they had—and called the results Big Little Books!

“So—how to get other people interested in Cauliflower, too? The character cavorted, full-blown, inside my head, and I felt I could sense the mood of the story and the type of cronies and adversaries he would encounter. But I hadn’t yet written a word of it.

The Buyer’s Guide had fairly inexpensive ad rates at the time, and I had some old comic stuff to sell. So I created a block ad, with my sale items at the bottom, and a single-panel cartoon above, to scale with the old Big Little Book pages, with short text paragraphs to the right. For several weeks, I don’t know how many, a comic panel and corresponding text appeared in every issue of TBG, andI started to get encouraging mail from fans. As we approached the end of the story, I began to solicit advance orders for the actual book.”

Joe’s bibliography appears on the Larque Press website.

Broadswords and Blasters No. 11 Fall 2019

The pulp magazine with modern sensibilities.

Broadswords and Blasters No. 11 Fall 2019
Contents
Matthew X. Gomez & Cameron Mount: From the Editors
Aaron Emmel “A Protector on the Road”
James Kane “The Red Star Assassin”
Benjamin Chandler “The Living Texts of Sildeen”
J.C. Pillard “Frail Memorials”
Erin K. Wagner “See You in the Next Regime”
C.J. Casey “Fire and Wool”
Erica Ruppert “Dust Claims Dust”
Gary Robbe “A Touch of Shade”
Kevin M. Folliard “Dreaming of Chester”

Back Cover

Editors: Matthew X. Gomez, Cameron Mount
Cover: Luke Spooner
6” x 9”, 127 pages
POD $6.99, Kindle $2.99

Broadswords and Blasters website

Lake County Incidents by Alec Cizak

Lake County Incidents (LCI) is a new anthology from Alec Cizak, writer and filmmaker, and editor of the fiction journal Pulp Modern. LCI is filled with macabre stories, about half first roiled out in indie digests and webzines.

Contents
“Creepy” (Beat to a Pulp 2017)
“Cancers”
“Atomic Fuel” (The Digest Enthusiast 2017)
“Sidewalk Flowers” (MicroHorror 2018)
“Canopy Road”
“EMUQ” (Massacre Magazine 2017)
“Stuck”
“The Bridge”
“Broke” (Horror Bites 2018)
“Useful Things” (EconoClash Review 2018)
“Worms” (Indiana Horror Review 2015)
“The People in the Margins”

Back Cover

Published by ABC Group Documentation //
Cover by Eric Adrian Lee
Print $11.99 Kindle $2.99

Note: Special Tech Noir editions of Switchblade and Pulp Modern will be unleashed soon.

25 Short Short Stories from Collier’s

An excerpt from Steve Carper’s series “One-and-Dones” that appears in The Digest Enthusiast No. 7–9:

Galaxy Novels; The Barmaray Company
25 Short Short Stories from Colliers, Collier’s being a mainstream magazine rival to the Saturday Evening Post, is not a title anyone would normally associate with either Galaxy or novels, but connections do exist. The inside back cover has an ad for Galaxy, and the inside front cover offers a charter subscription for Galaxy’s sister magazine, Beyond Fantasy Fiction. Both magazines had just been purchased by Robert Guinn, a fixture in the New York publishing scene as a printer with access to paper, vital in 1953 when the Korean War dried up paper supplies. Despite the clear Galaxy lineage, Galaxy Novels is simply a misnomer for this title. The true publisher is The Barmaray Company, Inc.

Now Available from McFarland: Steve Carper’s Robots in American Popular Culture, a comprehensive reference volume that includes a companion website: robotsinamericanpopularculture.com.

Ellery Queen Dec. 2007

Ellery Queen Mystery Magazine Dec. 2007 Vol. 130 No. 6 Whole No. 796
Contents
David Handler “The Man Who Couldn’t Miss” art by Laurie Harden
Edward D. Hoch “Gypsy Gold”
Jon L. Breen: The Jury Box
Patricia Smiley “Party’s Over”
Bill Crider: Blog Bytes
Jon L. Breen “A Run Through the Calendar”
Loren D. Estleman “Wild Walls” (Valentino) art by Mark Evan Walker
Caroline Menzies “The Bathtub Oracle” (Dept. of First Stories)
Peter Turnbull “The Mummy” art by Allen Davis
Marilyn Todd “Room for Improvement”
2007 EQMM Readers Award Ballot
Anton Chekhov “A Malefactor” (Passport to Crime) translated from the Russian by Constance Garnett
Martin Edwards “An Index”
Maria Hudgins “Murder on the London Eye”
Michael Bracken & Tom Sweeney “Snowbird” art by Mark Evans
Index: Vol. 129 and Vol. 130
Classified Marketplace
Indicia and Masthead

Publisher: Peter Kanter
Editor: Janet Hutchings
Editorial Assistant: Emily Giglierano
Excutive Director Art & Production: Susan Kendrioski
Senior AD: Victoria Green
Cover: Rafael de Soto

144 pages $3.99
Ellery Queen Mystery Magazine website

I asked Michael Bracken about what it was like to write with a partner on “Snowbird.” Below is an excerpt from his interview in The Digest Enthusiast No. 8, June 2018:

In the early-2000s I edited five anthologies, and Tom had a story in each of them. When I pitched an anthology of private eye stories to a regional publisher, the publisher was interested only if all the stories were set in Texas and the contributors were Texans/ Texas residents. The only way Tom, a New Englander, would get a story in the anthology was if he collaborated with someone in Texas. Me.

Tom’s writing style—that is, the way he uses words and structures sentences—is (or was then) similar to mine, but his approach to writing is quite different. Where I throw something on the page to start and then figure out where I’m going, he likes to start with the theme and build backwards from there.

So, we went back and forth, writing and discussing as we went. I would write a bit and turn it over to him. He would edit or revise what I wrote and add more. I would edit/ revise what he wrote and add to it. All the while we held email discus- sions on the side about where the story was going, what we needed to research to move forward, and so on. (We even roped in a third writer—Çarol Kilgore—to aid with some research. Part of the story is set on the Gulf Coast and Carol provided us with details neither of us could get otherwise.)

Writing the way we did, it’s quite difficult to know now who wrote which passages, but after several months we had a complete draft. Unfortunately, the regional publisher was no longer interested in doing the anthology.
It is true that collaborating means twice the work for half the money, but Tom and I created a story neither of us could have written alone, and it was the first sale either of us made to
EQMM. So, it was well worth the effort.

Gamma No. 4

Contents*
H.B. Fyfe “The Clutches of Ruin”
William P. Miller “The Towers of Kagasi”
Ray Nelson “Food”
E.A. Poe “Hans Off in Free Pfall to the Moon” (Anonymous abridgment of Edgar Allan Poe’s “The Unparalleled Adventure of One Hans Pfaall”)
The Gamma Interview: Forrest J Ackerman
John Tanner (Jack Matcha) “Open Season”
Robert Katz “The Woman Astronaut”
William F. Nolan “Happily Ever After”
James Stamers “Don’t Touch Me, I’m Sensitive”
Ron Goulart “The Hand of Dr. Insidious”

Gamma Vol. 2 No. 2 (Whole No. 4) Feb. 1965
Editor & Publisher: Charles E. Fritch
Co-Editor: Jack Matcha
Cover: John Healey
5.25” x 7.75” 128 pages 50¢

*From Galactic Central and Vince Nowell, Sr.’s article “Gamma: New Frontiers in Fiction” from The Digest Enthusiast No. 8 June 2018.

True Crime Detective No. 4

“For a long time I wished for a magazine that would present true crime cases in a straightforward, exciting way—without sensationlism and trick photography. When True Crime Detective came along I had my wish!”
Ralph Bellamy, noted stage and screen actor

True Crime Detective, The Magazine of True Crime Cases Vol. 1 No. 4 October 1951
Contents
Dr. Richard H. Hoffmann as told to Will Oursler “The Untold Story of Martha”
Walter Winchell “Behind Lepke’s Surrender”
Henry Jordan “Paris Dead End”
Rupert Hughes “Murder Solves a Murder”
Ray Brennan “Somebody Knows”
Edward D. Radin “Locked-Room Rendeszvous”
Manly Wade Wellman “Bender’s Orchard”
Courtney Riley Cooper “Spawn of Shoebox Annie”
W.T. Brannon “Mr. Con Man”
John Bartlow Martin “The Ring and the Conscience”

Publisher: Lawrence E. Spivak
Editor: Edward D. Radin
Managing Editor: Robert P. Mills
General Manager: Joseph W. Ferman
Art Director: George Salter
5.5” x 7.75” 128 pages 35¢

The Digest Enthusiast No. 10 in Bud Plant's Incredible Catalog
Bud Plant’s Incredible Catalog

The latest edition of Bud Plant’s Incredible Catalog is now available. The Digest Enthusiast No. 10 is featured on page 14 under the Pulps & Pulp Fiction category, but all ten issues are available from Bud’s Art Books website, along with hundreds of other pulp-related publications like The Pulpster.

Bud Plant’s Incredible Catalog is available in a full color printed copy at various paper and collectible shows across the country and by mail, or you can download a copy of the PDF from the homepage of Bud’s Art Books website.

Bud's Art Books
Fantastic Feb. 1976

Excerpts from Ted White’s editorial:
“The situation we find ourselves in today is overwhelming to some people.”

“So they turn to something which will give their lives and their universe meaning. They turn to superstition—to fantasy, in its broader sense.”

“Our cover this issue is one of which I am particularly proud. I think it marks a new breakthrough for Steve Fabian, the artist.”

Contents
Ted White: Editorial
Gordon Eklund “The Locust Descending” art by Stephen E. Fabian
Grania Davis “It’s Hard to Get Into College, Nowadays” art by Richard Olsen
Robert Thurston “Groups” art by Joe Staton
Michael F.X. Milhaus “A Personal Demon” art by Dan Steffan
Lin Carter
“People of the Dragon” art by Marcus Boas
Marvin Kaye
“The Incredible Umbrella” art by Stephen E. Fabian
According to You (Letters)
Best By Mail
Classified Advertisements

Fantastic Sword & Sorcery and Fantasy Stories Vol. 25 No. 2 February 1976
Publisher: Sol Cohen
Assoc. Publisher: Arthur Bernhard
Editor: Ted White
Assoc. Editor, Emeritus: Grant Carrington
Assist. Editors: Lou Stathis, Terry Hughes
Art Director: J. Edwards
Cover: Stephen E. Fabian
5.25” x 7.75” 130 pages $1.00

Western Magazine July 1956

With this issue Western Magazine dropped its short stories and went with three “big novels.”
Joseph Chadwick “The Saddle Tramp” art by Carl Burgos
Philip Ketchum “Land of Violence” art by Carl Burgos
Gardner F. Fox “Who Wore the Gun Brand” art by Carl Burgos

Western Magazine Vol. 2 No. 2 July 1956
Publisher: Martin Goodman
Editor: Harry Widmer
Business Manager: Monroe Froehlich, Jr.
Art Director: Mel Blum
Art Editor: Carl Burgos
Cover: Mel Crair
~5.5” x 7.75” 160 pages 35¢

Read Peter Enfantino’s story-by-story recap of Western Magazine in The Digest Enthusiast No. 8.