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MicroniclesWorlds of StrangeneSS No. 2 review part 6 of 8:

What has become commonly known as Flash Fiction, has also been called twitterature, minisaga, sudden fiction—and in Worlds of StrangeneSS: Micronicles. There are three entries in WOS2, continuing the sequence that began in the first issue—so here we have The Stranger’s No. 4 “Mr. Hide,” No. 5 “Palm,” and on the back cover, Jojo Lapin X’s No. 6 “Spaceman.” All three spend the majority of their precious words to briefly, but quite satisfactorily, set things up for the delivery of their sharp, twisted “punchlines.”

This review continues on June 9 . . .

Weirdbook No. 34 page 35From Weirdbook No. 34:

A dark tale of swords and sorcery, Sean Patrick Hazlett’s “Mukden” follows Captain Tanaka Hideki through a tenuous partnership with the bandit Fu Shih and encounters with the ghostly shikome, fell servants of the underworld, on his way to reclaim his honor and reach Mukden. Hazlett captures the bleak, brutal pall of war as the Japanese and Chinese battle their Russian invaders.

International Science Fiction No. 1, page 47From International Science Fiction No. 1, from France, Damon Knight translates Michel Ehrwein’s story, “Uranus” from Fiction #88 (March 1961), which also happened to include Knight’s own “The Enemy” (“L’Ennemi” in French).

Michel Ehrwein (b. 1934) wrote numerous stories for the publications Satellite and Fiction from 1958 to 1964, and after reading “Uranus” I wish more of his work had been translated for digests across the pond. It’s a terrific story, told primarily in narrative, perhaps to grant readers some distance from its characters’ heart-breaking story.

A pair of deep space astronauts are orbiting Uranus from the safety of an hermetically sealed station. They lose themselves in their work and countless hours of tuning the radio for scraps of transmissions from other research stations around Saturn and Jupiter, Mars, and on occasion even Earth, Venus and Mercury.

Then came a long series of personal messages. Belzard wanted to hear from Fairbanks. Oths was trying to get in touch again with Mercanson, on Io. Su-Chang’s mother had just died. Weeks, taken ill, had had to be brought to Mars from Delmos on a special flight; then he had died on the trip.

The loneliness and isolation of the furthest outpost is made cold and clear. Then, catastrophe strikes.

The sun had entered a phase of intense activity. The Mercury observatory, which specialized in solar research, had tried to measure it, to encompass it in numbers. At the end of two days, their apparatus lost its usefulness. It was not calibrated high enough. Other observatories hastily took an interest
in the phenomenon, equipped themselves, installed new instruments. All the observatories led to the same conclusion: a gigantic solar flare, on a scale previously unknown, with monstrous prominences.

Radiation sweeps out across the system, devastating all civilization in its path. Rial and Greff hear the fall and wonder if its reach will extend nineteen times farther from the sun than Earth.

Worlds of StrangenSS No. 2 page 55Worlds of StrangeneSS No. 2 review part 5 of 8:

The Stranger (Nigel Taylor) presents “The Cold Light of Stars,” in which a publishing agent must regrettably pass on the final manuscript of the legendary author of sprawling space epics and notable science fiction. The problem is, despite the author’s prestigious name, The Oviraptors, is unreadable. The agent commiserates at the home of his longtime friend, Bob Butler, who submitted the thing after everyone else in the business had rejected it. For the better part of the evening they reminisce over whiskies, until a plan for what to do with the tome emerges.

The discussion of the author’s career and the two friend’s fond memories of his work is warm and engaging. When Bob snatches a old science fiction digest from a shelf it triggers a memory of a fascinating story, recounted in satisfying detail, and brings the anguish of their dilemma home.

This review continues on June 5 . . .

Story Title

International Science Fiction No. 1 features two stories from Germany, both by the writing team of Helmuth W. Mommers and Ernest Vleck. The first, “The Epsilon Problem” is translated by Harry Warner, Jr.

The Morph-children are the turning point in the long and costly war between mankind and the Spoot. But when their work is done what is to become of them?

Captain Lokart travels to Epsilon base with the daunting task of convincing the unstable Father Epsilon to stand down and begin the process of recuperation.

Helmuth W. Mommers (b. 1943) contributed to German science fiction as a writer, illustrator, editor, and literary agent. After a successful career as a retailer in Sweden, he took an early retirement in Mailorca, Spain, where he co-founded the magazine Nova and edited the annual Visionen (Visions) anthologies. He published a novel, Galacticum, as well as more than fifty short stories. His work has been nominated for the German Science Fiction Award and the Kurd Lasswitz-Award.

Children's Digest Oct. 1950Worlds of StrangeneSS No. 2 review part 4 of 8:

Among Greek biographer and author Plutarch’s most famous works is Bioi parallëloi (Parallel Lives). Beyond biography, the work compares the lives of renown Roman and Greek leaders to inspire morality and foster respect between cultures. The Stranger (Nigel Taylor) employs the technique in “Parallel Lives: Magritte and Hergé;” René Francois-Ghislain Magritte, the famed surrealist painter and George Prosper Remi, aka Hergé, the famed cartoonist of Tintin.

Taylor explores their lives as artists, elements of the fantastic in their work, their shared nationality (Belgian), and on a more personal level, his own keen interest in the works of both, that began in his youth. The comparison makes a fascinating and edifying read.

In the US, The Adventures of Tintin were serialized in Children’s Digest from 1966 to 1979.

This review continues on June 1 . . .

Image from Galactic Central.

Worlds of StrangeneSS No. 2 coverWorlds of StrangeneSS No. 2 review part three:

Franklin Marsh knows enough about gaming to give his story, “Computer Wild,” an authentic feel. The opening scene inside a game shop sets the tone of this horror yarn.

Curt paused and frowned, pulling a game from the rack.
“Andy? ANDY!!!”
“Wha’?”
“You ever heard of . . . Kill ‘Em All?”
Andy snorted.
“Who?”
Kill ‘Em All. It looks shit, but I thought I knew everything we stocked . . . This don’t ring any bells.”

By the time Inspector Dalton appears, things have turned nasty and it’s up to local law enforcement to get things sorted. Dalton mixes his skills of detection, good fortune, and bad luck to get to the bottom of this techno-terror tale.

This review continues on May 28 . . .

Weird Menace Vol. 1 coverMuch of my reading is in support of my series, The Digest Enthusiast—for articles, reviews, or interviews. When I take a break and pick up something purely for its own sake, I often turn to pulp fiction. For me, these stories are akin to comfort food, perhaps not entirely nutrition-rich, but delicious and satisfying all the same.

I’ve never actually read a shudder pulp, but I have to believe the stories in Weird Menace Vol. 1 from Rough Edges Press, are authentic. They’re set in right era and their creators are highly qualified to crank out new stories crafted in the rapid-fire, tension-packed style that inspired them.

I zeroed in on Vol. 2 because it contained a story by Michael Bracken that I wanted to read as prep for my interview with him for TDE8. But when I noticed Bill Crider had a story in Vol. 1, well, I had to have that one too. When I wrapped up design and production on TDE8, I was ready for a comfort read and sat down to read Bill’s story. I liked it so much, I decided to try another, and flew through the whole of volume one before I knew it.

Weird Menace Vol. 1 back coverWhat’s more, I’d be hard pressed to name a favorite. Each story was just plain fun to read; and despite their similarities, there’s enough variation in the setups, threats, and narrow escapes, so the action never slows. In fact, the trouble only escalates. What a harrowing, pleasurable read!

Story page 1From Weirdbook No. 34:

“A Kiss for the Mirrorman” by Adrian Cole is a terrific fast-paced battle of wits and advanced weaponry. Set in the gritty streets of a future metropolis, an unnamed assassin tracks the Mirrorman and plunges him into a deadly trap. One for the issue’s best adventures.

Worlds of StrangeneSS No. 2 review part two:

Andy Boot brings an impressive resume to his story “Pulped!” As James Axler he’s written 18 “Deathlands” novels; as Don Pendleton, ten “The Executioners”; two more novels as Andy Boot; as well as four nonfiction books.

Worlds of Strangeness No. 1 cover“Pulped!” begins in WoS No. 1, and concludes in No. 2. Although the ending, which squares the immediate conflicts, leaves the larger ones unresolved and feels very much like a satisfying segment of a much longer epic. Part one is not required reading to enjoy part two, but one certainly informs the other, and the thrill-packed vignettes of “Pulped!” are an integral part of its overall pleasure.

In 1930’s New York, Frank Nugent employs a stable of writers and artists to document the exploits of five two-fisted heroes for his line of pulp magazines. The public believes these accounts are pure fiction, when in fact, the heroes’ death-denying adventures are real.

Much of part one rotates through the exploits of its heroes: Ray “Crash” Flanagan, Pete “The Red Admiral” MacLean, Jenny “The Black Pearl,” Montague “Quarterstaff of the Jungle” John Summers, and occultist Joss Likely. Inevitably, each opposing villain is in league with forces from beyond. Forces that control their minions from an alternate plane, plotting to cross over and conquer our world. Nugent’s pulp imprint seeks to inform the public, avoiding widespread panic, slowing building awareness of the threat.

Boot captures the feel of classic pulp heroics, layering his story within a more contemporary plot, albeit one steeped in mystics and incantations. Action-packed, and great, great fun.

This review continues on May 24 . . .