Contents Page John Gregory Betancourt: From the Cat’s Perch Michael Bracken “The Show Must Go On” Dara Carr “Emily and Elodie” Tracy Falenwolfe “Partners in Crime” John M. Floyd “Rhonda and Clyde” Charlie Hughes “The Idea”…

Launching what will hopefully be the beginning of a new series, Amazing Selects debuts with Captain Future in Love by Allen Steele, a story first serialized in the pages of Amazing Stories Vol. 76 No. 1…

Scotch Rutherford and Alec Cizak preview the future of criminal takes on technology in special editions of Switchblade and Pulp Modern. Available now in print and digital. Switchblade: Tech Noir Contents Page Scotch Rutherford: Editor’s Corner…

Excerpt from the tribute: “The Creative Works of Joe Wehrle, Jr.” from The Digest Enthusiast No. 8, June 2018: In 1991, Joe Wehrle, Jr. produced a mini comic loosely based on the famous Punxsutawney Groundhog, featuring…

The Modern Journal of Pulp Fiction and Degenerate Literature Endorsements Title Page Masthead and Indicia Matthew Louis: From the Editor Contents Pages Flash John McFetridge “Plugged” Albert Tucher “Tipping is Optional” Christs Faust “Hit Me” Stephen…

Contents Page David Goodis “Black Pudding” art by Ray Houlihan Richard Marsten “Switch Ending” Charles Beckman, Jr. “Killing on Seventh Street” Craig Rice “Murder Marches On!” (John J. Malone) Hunt Collins “Sucker” Dan Sontup’s Portrait of…

An excerpt from Steve Carper’s series “One-and-Dones” that appears in The Digest Enthusiast No. 7–9: Guinn Company Muriel Stafford had a syndicated newspaper column that did handwriting analysis of the stars, and not surprisingly X Marks…

Brian Beatty “The Husband” (verse) Contents Page Scotch Rutherford’s Editor’s Corner: Dysfunctional Relationships Sharp & Deadly Short Fiction George Garnet “Exotic” Misha Burnett “Whatever Lola Wants” Serena Jayne “Garden Variety Creeper” John Timm “Strangers, Perfect Strangers”…

Most of the comics in Rooftop Stew originally appeared in Seattle’s comics tabloid The Intruder. So if you’re not a local, everything here is new. Max Clotfelter’s work harkens back to the underground comix of yesterday—gross,…