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Galaxy June 1968From International Science Fiction No. 2 (June 1968):

The second issue of ISF opens with an editorial, “The Balance of Ideas,” by Lester del Rey, that illustrates the importance of ideas from a global perspective (expressed in tongues other than English) and therefore ISF’s importance as an access point.

Public opinion on the Vietnam War was hot and passionate in 1968. A two-page ad with a list of science fiction luminaries appeared on opposing pages of this edition; those supporting the war on one side and those against it on the other. The same ad broke in the June 1968 issue of Galaxy where it was followed by an editorial by Frederik Pohl, who wasn’t happy about either side. In ISF, the ad ran without further comment.

The Prodigal Sun by Philip E. HighFrom International Science Fiction No. 1 (Nov. 1967):

The closing tale of ISF #1 is from England. “The Big Tin God” by Philip E. High was originally published in New Worlds Science Fiction (January 1963). The prevailing authoritarian government is about to be replaced by the product of an underground network of scientists building a monumental “brain” dubbed Dopey. The only certainty is the end of the old regime.

Philip E. High (1914–2006) became hooked on science fiction as a lad when he discovered a copy of Astounding Stories. In addition to reading everything he could find by Jules Verne and H.G.Wells he particularly admired Neville Shute. He once said of Shute, “That his style, his approach, was the one I most admired, and I hoped one day to write as well as he did.”

In 1955 he sold his first story “The Statics” to H.J. Chapbell for Authentic Science Fiction. He recalled, “I received six guineas for it. It was the biggest thrill of my life. I am quite certain I walked up the wall and across the ceiling twice.”

A bus driver in his day job, High continued to write for Nebula and New Worlds, where his stories were highly rated by readers. When the magazines’ fortunes declined High turned to novels, his first, The Prodigal Sun, was published in US in 1964. It was followed by Invader on my Back, Butterfly Planet, The Time Mercenaries, and many others.

Two collections of High’s short stories were published near the turn of the century; The Best of Philip E. High (2002) and Step To the Stars (2004).

Weirdbook No. 34 page 106From Weirdbook No. 34:

You don’t have to imagine the discomfort of Abigail Haynes when lawman Jim Barton stops by her place unannounced and invites himself in for a drink, a smoke, and a little chat. James D. Mabe serves it straight up in “Touched.” Barton’s down home charm draws you in like a blue-green fly crawling up the wall on a hot summer day, at least a mile from the nearest neighbor. As he pours out his spiel poor Abigail is bound, barely able to wonder why he’s telling her about the hideous Throckmorton murder scene. Unfortunately for her, she soon learns how all the disparate pieces squirm together.

Perry Rhodan & AtlanFrom International Science Fiction No. 1 (Nov. 1967):

“Monster” pairs the team of Helmuth W. Mommers and Ernest Vleck for the second time in this edition of ISF, translated by Harry Warner, Jr. Told from the first-person viewpoint of an orphan, Oliver, who is different from all of the institution’s other children. Albino skin for one, but there’s more that is slowly revealed before and after he’s nearly drown by Butcher, a mean-spirited menial of the orphanage.

No one would ever want to bring Oliver home. Yet, one day someone does. As Butcher pushes the orphan through the halls toward his waiting adopters, Oliver’s senses warn him of imminent danger. He flees, eluding the massive manhunt that ensues. From hiding he learns the truth of his origins and why the military wants him dead.

In addition to his collaborations with Mommers, Ernst Vleck wrote the first Atlan novel “Spider Desert” which appeared in the first edition of the Ace double series Perry Rhodan/Atlan (September 1977).

WB34 page 86From Weirdbook No. 34:

Frank Duffy builds a waking nightmare with a satisfying mix of specific detail and invention in “The Devil is Anonymous.” Its UK setting appears vivid and real. The relationship of its troubled couple and their technological life does too. But there is much unexplained, brushed aside by a narrative that throws the reader into a questionable reality of vitriol and mysterious circumstance. Who can you trust in this world of twisted corporate torment and virtual stalkers? The suspense and tension finally burst in a dark, bloody end that leaves you wanting more.

F&SF April 1961The second part of Brian Aldiss’ Hothouse saga appeared in Fantasy and Science Fiction (April 1961).

Contents
Evelyn E. Smith “Softly While You’re Sleeping”
Harold Calin “The Hills of Lodan”
Anne McCaffrey “The Ship Who Sang” (Brainship)
Robert Graves “Dead Man’s Bottles”
Kit Reed “Judas Bomb”
Grendel Briarton “Through Time and Space with Ferdinand Feghoot: XXXVIII”
Isaac Asimov: Science: My Built-In Doubter
Nils Peterson “Cosmic Sex and You”
Richard Banks “Daddy’s People”
Doris Pitkin Buck “On Hearing Another Report of Little Green Men from . . .” (verse)
Brian W. Aldiss “Nomansland” (Hothouse No. 2)

Cover by Ed Emshwiller

Contents from Galactic Central

An excerpt from Joe Wehrle, Jr.’s review of the Hothouse series, from The Digest Enthusiast book six:

“In ‘Nomansland’ (April 1961), the second part of the saga, we’re shown even more richness and multiplicity of the plant world. Toy is now nominal leader of the group since Lily-yo and the other elders have “Gone Up” but Gren is beginning to assert himself as a rebel, unwilling to submit to a leader. Oldest of the males, it is tabu for any of the females to touch him except during the courtship season.”

From International Science Fiction No. 1 (Nov. 1967):

HomunculusIlya Varshavsky’s second tale for ISF No. 1 is “Homunculus,” again translated by S. Ostrofsky. A four-page hunt for the robot, Homunculus, who has gone berserk and escaped the home of his creator to run amok in the city. When he’s finally confronted the twist is both unexpected and expectant.

Weirdbook No. 34 page 78From Weirdbook No. 34:

Award-winning poet Frederick J. Mayer’s short story, “Zhar’s Outré House,” is a meld of poetry and narrative that delights in description over deed. For example: “The vivacious vixenish lead vocalist gave a fleeting foxy wink to her awaiting, appreciating, but inattentive friends situated in the darkly lit place’s menses red vinyl half-moon shaped booth. Dr. Anne du Voor, whose robust rotundity displayed how an obese form could show no excess fat; Dr. Koh Rei-mi’s, in her prime forties, physique could of been that of a young model for August Rodin and Lady Jones.”

Story titleFrom International Science Fiction No. 1 (Nov. 1967):

From Italy, F.C. Gozzini contributes the very short “Witchcraft for Beginners.” It’s about a wonderful new weekly periodical, Witchcraft for Beginners and the two brothers who practice the spell detailed in each edition. Unfortunately, when the next issue suddenly fails to appear, they are both left in a lurch with no one to spell them.

ISF No. 1 page 91From International Science Fiction No. 1 (Nov. 1967):

“They Still Jump” is a story by J.L. Mahe from The Netherlands. It originally appeared in Monda Kultura (World Culture) in Esperanto, from which it was translated by Clarkson Crane.

The director of the Eiffel Tower, Monsieur Ploux, has a problem. Far too many are using the iron lady as their method of choice for suicide.

From the first level jumped the lovelorn, those with toothaches, the alcoholics, the unlucky bettors, the insane; from the second, widowers, bankrupts, gamblers, tax-payers; from the third, philosophers and poets.

It is an epidemic. Numerous methods are tried to end it but none can deter the determined. That is, until Monsieur Ploux puts his head together with Mr. Plow, general manager of the Golden Gate Bridge, who happens to have exactly the same problem.