Category

Uncategorized

Category
True Crime Detective Winter 1942

“Here he [J. Edgar Hoover] tells the almost unknown story of Kathryn Kelly, under whose evil guidance her husband, Machine-gun Kelly, rose to eminence in the criminal world. Mr. Hoover omits one interesting detail. It was while Machine-gun Kelly was seeking to escape the noose being closed about him by Hoover, that he coined the phrase by FBI Agents have since been known—G-Men.”

True Crime Detective Vol. 2 No. 1 Winter 1952
Contents Page
Irving Gitlin “Mr. Big and the Waterfront”
J. Edgar Hoover “Woman Behind the Crime”
Edward D. Radin “The Killer Who Wasn’t There”
Patrick Quentin “Last of Mrs. Maybrick”
Dorothy D. Doyle “Portrait of the Monster as a Young Man”
Jackson Hite “The Invisible Cord”
Richard W. Fredericks “Body Under the Couch”
Arthur Train “The ‘Due de Nevers’”
Rex Ainsworth’s Here’s the Answer: “Case of the Severed Hand”

Publisher: Lawrence E. Spivak
Editor: Edward D. Radin
Managing Editor: Robert P. Mills
General Manager: Joseph W. Ferman
Art Director: George Salter
Cover: Dirone Photography
5.5” x 7.75” 128 pages 35¢

Cartoon Trader

Excerpt from my tribute, “The Creative Works of Joe Wehrle, Jr.” from The Digest Enthusiast No. 8, June 2018:

“In 1989, my wife Karen and I came up with the idea of producing a monthly Cartoon Trader, which would focus on the buying and selling of newspaper comic strips, the way the Comics Buyer’s Guide mainly concerns itself with comic books. Unfortunately, we were never able to get enough ads to make it a really substantial-looking monthly or to make it the self-supporting venture we’d hoped for, so we had to discontinue it after just a few issues. We did create several continuing features for the magazine, though—classic cartoonist trading cards, retrospectives, paper dolls (Trina Robbins sent us some outfits!) and a monthly page of original comic strips.”

Today, Cartoon Trader’s ads offer only a passing glance at yesterday’s prices, but Joe and Karen loaded each Trader with such charming original content it’s still fun to read today.

Joe’s bibliography appears on the Larque Press website.

Western Magazine Oct. 1956

Contents Page
L.L. Foreman “Gunslingers of the Cibola” art by Carl Burgos
Joseph Chadwick “Trouble with the Tough Tollivers” art by Matt Baker
Todhunter Ballard “Dark Kill” art by Carl Burgos

Western Magazine Vol. 2 No. 3 October 1956
Publisher: Martin Goodman
Editor: Harry Widmer
Business Manager: Monroe Froehlich, Jr.
Art Director: Mel Blum
Art Editor: Carl Burgos
~5.5” x 7.75” 160 pages 35¢

Western Magazine Oct. 1956 back

Read Peter Enfantino’s story-by-story recap of Western Magazine in The Digest Enthusiast No. 8.

Crime Syndicate Magazine No. 2

Crime Syndicate Magazine No. 2 May 2016
Dietrich Kalteis “Bottom of the Ninth”
Matt Andrew “The Song Remains the Same”
Mike O’Reilly “Fight in the Dog”
Preston Lang “The Counselor”
Michael Bracken “Sugar”
Stephen McQuiggan “Thunderstone”
J.M. Taylor “Secrets in the Snow”
Jinapher Hoffman “Jackpot Blue Thistles”
Nick Kolakowski “Stickup”

Edited by Dietrich Kalteis and Michael Pool
5” x 8” 142 pages
$7.99 Print, $2.99 Kindle
Crime Syndicate Magazine website

Galaxy July 1970

Contents Page
Ejler Jakobsson: Asbestos, Too
Robert A. Heinlein “I Will Fear No Evil” Part I art by Jack Gaughan
Robert Silverberg “The Throwbacks” (Urban Monad) art by Jack Gaughan
Lauri Virta’s Containers for the Condition of Man with photos by Leroy Woodson
Wilma Shore “Goodbye Amanda Jean” art by Jack Gaughan
Galaxy Stars: Anne McCaffrey
R.A. Lafferty “The All-At-Once Man” art by Jack Gaughan
Dannie Plachta “The Hookup” art by Jack Gaughan
Andrew J. Offutt “Ask a Silly Question” art by Jack Gaughan
Anne McCaffrey “Sittik” art by Jack Gaughan
Algis Budrys: Galaxy Bookshelf
— Anne McCaffrey The Ship Who Sang
— C.L Moore Jirel of Joiry

Galaxy Magazine Vol. 30 No. 4 July 1970
Publisher: Arnold E. Abramson
Assoc. Publisher: Bernard Williams
Editor: Ejler Jakobsson
Science Editor: Donald H. Menzel
Feature Editor: Lester del Rey
Managing Editor: Judy-Lynn Benjamin
Art Director: Franc L. Roggeri
Assoc. Art Director: Jack Gaughan
Cover: Jack Gaughan
5.25” x 7.75” 160 pages 60¢

Michael Shayne Feb. 1957

Most of the Mike Shayne short novels that appeared in his digest magazine were ghost written under the Brett Halliday pseudonym. But this issue features the first of a three-part series presenting a brand new full-length novel by Davis Dresser himself. “Weep for a Blond Corpse” ran in the Feb., April, and June 1957 issues. This issue was the last one with “Michael,” in the title; it was strictly ”Mike” from here on.

Brett Halliday’s Goal to Go! (intro)
Contents Page
Brett Halliday “Weep for a Blond Corpse” part one
Veronica Parker Johns “The Cannibal Oxen”
Lee E. Wells “Desert of Death”
Robert O’Niel Bristow “The Naked Trap”
Jay Carroll “A Dress for May Lou”
Irving Burstiner’s Find the Detective (puzzle)
Henry Slesar “The Right Kind of House”
Samuel W. Taylor “Night of the Full Moon”
Robert Bloch “The Real Bad Friend”
Frank Kane “The Rumble”

Michael Shayne Mystery Magazine Vol. 1 No. 6 Feb. 1957
Publisher: Leo Margulies
Managing Editor: Cylvia Kleinman
Production: Joan Sherman
5.25” x 7.75” 160 pages 35¢

Manhunt Sept. 1953 page 1

“When money runs out, you have no choice. You need the nickels and dimes you can grub for the warm, mellow stuff, and you can’t afford to waste them for a pad.”
“The Death of Me” by Evan Hunter Manhunt Detective Story Monthly Sept. 1953

Cauliflower Catnip: Pearls of Peril

Excerpt from my tribute, “The Creative Works of Joe Wehrle, Jr.” from The Digest Enthusiast No. 8, June 2018:

I first became aware of Joe’s work in 1981 when he published the Big Little Book, Cauliflower Catnip: Pearls of Peril, advertised in Alan Light’s The Buyer’s Guide. The book remains one of the most impressive self-published productions I’ve ever seen. I asked Joe about the project’s evolution.

“I guess Cauliflower Catnip is kind of an amalgam of many influences.” The anthropomorphic dogs of Thomas Aloysius Dorgan (TAD) comic strips, the hardboiled detective fiction of Nero Wolfe, and the sound of Thomas “Fats” Waller’s voice.

“I began to explore who Cauliflower Catnip was in a series of one-panel cartoons. I’ve long suspected that I’m too slow to do a regular daily strip unless I get an assistant or the concept is extremely simple. I enjoyed turning out the panels, but I could see they’d go nowhere. Besides, I wanted a detective story continuity with Cauliflower. How could I progress the suspense by drawing single panels? Had anyone ever done something like that? Of course they had—and called the results Big Little Books!

“So—how to get other people interested in Cauliflower, too? The character cavorted, full-blown, inside my head, and I felt I could sense the mood of the story and the type of cronies and adversaries he would encounter. But I hadn’t yet written a word of it.

The Buyer’s Guide had fairly inexpensive ad rates at the time, and I had some old comic stuff to sell. So I created a block ad, with my sale items at the bottom, and a single-panel cartoon above, to scale with the old Big Little Book pages, with short text paragraphs to the right. For several weeks, I don’t know how many, a comic panel and corresponding text appeared in every issue of TBG, andI started to get encouraging mail from fans. As we approached the end of the story, I began to solicit advance orders for the actual book.”

Joe’s bibliography appears on the Larque Press website.

Broadswords and Blasters No. 11 Fall 2019

The pulp magazine with modern sensibilities.

Broadswords and Blasters No. 11 Fall 2019
Contents
Matthew X. Gomez & Cameron Mount: From the Editors
Aaron Emmel “A Protector on the Road”
James Kane “The Red Star Assassin”
Benjamin Chandler “The Living Texts of Sildeen”
J.C. Pillard “Frail Memorials”
Erin K. Wagner “See You in the Next Regime”
C.J. Casey “Fire and Wool”
Erica Ruppert “Dust Claims Dust”
Gary Robbe “A Touch of Shade”
Kevin M. Folliard “Dreaming of Chester”

Back Cover

Editors: Matthew X. Gomez, Cameron Mount
Cover: Luke Spooner
6” x 9”, 127 pages
POD $6.99, Kindle $2.99

Broadswords and Blasters website

Lake County Incidents by Alec Cizak

Lake County Incidents (LCI) is a new anthology from Alec Cizak, writer and filmmaker, and editor of the fiction journal Pulp Modern. LCI is filled with macabre stories, about half first roiled out in indie digests and webzines.

Contents
“Creepy” (Beat to a Pulp 2017)
“Cancers”
“Atomic Fuel” (The Digest Enthusiast 2017)
“Sidewalk Flowers” (MicroHorror 2018)
“Canopy Road”
“EMUQ” (Massacre Magazine 2017)
“Stuck”
“The Bridge”
“Broke” (Horror Bites 2018)
“Useful Things” (EconoClash Review 2018)
“Worms” (Indiana Horror Review 2015)
“The People in the Margins”

Back Cover

Published by ABC Group Documentation //
Cover by Eric Adrian Lee
Print $11.99 Kindle $2.99

Note: Special Tech Noir editions of Switchblade and Pulp Modern will be unleashed soon.